Speedlight Solving On-Location Lighting Problems with Erik Valind and Rogue FlashBender 

First shot with no flash, just to see what we have going on in this area. Let's first work on changing the direction. Grab the flash from your bag, throw it on your camera's hot shoe, and bounce it back up toward the ceiling. Remember one of the key basics about lighting is that the large the light source is relative to the subject, the softer the light will appear. By pointing the flash up at the ceiling, you as a photographer are converting that ceiling into a giant soft light source and it will bounce back down on your subjects.

By bouncing the flash alone, the image has dramatically improved, but we're still fine tuning this environmental lighting issue. Let's next work on color.

There are a few ways to go about identifying color issues, the easiest is to identify the indoor lighting. If you can identify what type of lighting is in the environment, you can course-correct and create more accurate color. Warm lights are tungsten or compact fluorescents shifted to tungsten, greenish lights tend to be long-tube fluorescents. In this situation we have tungsten or tungsten color shifted bulbs. Most speedlights are close to daylight balance or run cooler than tungsten color, so we are going to need to warm that up by adding a CTO color correction gel from a pack of Rogue Flash Gels. CTO or color temperature orange is designed to shift daylight balanced lights to tungsten balanced lights, and is found in both the Rogue Flash Gels: Combo Filter Kit or there are three in the Rogue Flash Gels: Color Correction Kit.

Now that we've solved both lighting color and direction, let's do some fine tuning to finalize the image. By originally bouncing the light we changed the direction to coming from above. There's no problem with doing this, but it does create some significant shadow under the eyes and chin. We're looking to optimize light usage, so that's where the Rogue FlashBender 2 Small Reflector comes into play. The FlashBender 2 Small will allow us to not only bounce the light up on the ceiling to create that nice soft light from above, but the reflective surface will push any light forward to give nice catchlights in the eyes and fill in those shadows created by falling light.

The FlashBender and the Rogue Gel can be used together to modify not only color but light direction, too. So whether you need to shoot a quick headshot indoors or you have a client who requests an indoor portrait, remember to grab your camera, flash, and even the Rogue FlashBender and Gels into your pack, they fold flat and take up so little room they'll fit into a sling bag, or small camera shoulder case.

Final Image:

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